Designing curriculum for creative learning about Biomes with VR

Teacher Toni Maddock from Southern Montessori School (Adelaide) set about the task of designing an integrated unit of work (science and geography) on biomes and food security that would allow her middle school students to demonstrate both content mastery and develop communication and creativity skills by using 360-degree VR via the VRTY platform.

There are few available examples of how teachers go about designing curriculum to scaffold student VR content creation. Pedagogically, the unit of work involved a combination of direct instruction and collaborative and discovery-based learning activities. There was a staged approach, with students, in the first instance, being supplied with existing 360-degree scenes of biomes from around the world which they then needed to enhance by doing research on the biome and adding certain facts and media to their 360 scene. This was followed by the class skilling up with the 360 camera and moving to a more complex task involving research on, and an excursion to, a local biome. Informed by their research, students took their own 360-degree base scenes of the biome while on the excursion. They also conducted experiments to generate data to include in their 360-degree virtual biome world, and produced other media (such as text, sound files, photos and videos) on information relevant to the biome and local food security issues. Best of all, and a key feature of VR, students got the opportunity through a school expo to easily immerse their peers, family and community members, in the the educative virtual world they created, making the task genuinely authentic.

The unit of work can be found here.

Through careful curriculum planning, Toni provided rich, scaffolded tasks that leveraged the properties of VR to develop her students higher order thinking and provided them with a unique way express their scientific and geographic knowledge content mastery in a creative way. This was very different to how she would usually teach the topic of biomes. Toni talks a bit about the curriculum planning process in the video below:

This post bought to you by actual humans – Associate Professor Erica Southgate and Toni Maddock.

This project has been funded by the Association of Independent Schools of South Australia (AISSA).

Cover image of rainforest by Jahoo Closeau from Pexel.

On researching VR with teachers in schools

I recently did a podcast with VR enthusiast and educator Craig Frehlich on why we need to do more research WITH teachers, and not on them, to really understand the enablers and barriers to integrating a wide range of powerful, curriculum-aligned VR learning opportunities into classrooms:

https://podcasts.apple.com/us/podcast/episode-82-vr-participatory-research-and-pedagogy/id1333244708?i=1000580379562

This of course extends to providing genuine opportunities within research projects for students to provide their perspectives on the use of the technology for learning and to showcase their virtual creations to authentic audiences (more on this in a future blog post).

Students co-creating safety guidelines for VR

Throughout 2022, we are focused on students as educational VR content creators. This includes students taking an active role in designing their own guidelines for safely using VR equipment. A visit to Trinity College at the start of their VR project saw Steve Grant, Director of Innovation and Creativity, facilitate a brainstorming session with Year 7 students where they worked together to come up with safety guidance for their project. In addition, students also worked as a whole class to develop ideas about good design in VR. At Southern Montessori School, teacher Toni Maddock led her middle school class through a similar co-design process. This video provides a great insight into the start of the project at Southern Montessori with students working together to develop their own safety instructions. As these teachers demonstrate, facilitating powerful VR learning experiences involves empowering students from the very first lesson.

Developing curriculum for 360° VR

This update is from Pembroke School in Adelaide. Ella Camporeale, Assistant Head of Design and Technology and teacher on the VR study, explains how she has developed a unit of work which integrates student 360° VR content creation for her Year 9 Digital Design class:

Ella pic blurred background“I have developed a Semester-long course for my Year 9 Digital Design class using VR as a form of new media for students to demonstrate knowledge about sustainability and to educate others in the school community about this. The learning outcomes from the Australian Curriculum are aligned with the Technologies Learning Area, Year 9 and 10 band. Specifically, the outcomes relate to developing mastery of digital technology, design thinking and digital solutions.

I am dividing the units of work into three topics. We are looking at sustainability more broadly, data on sustainability in the Middle School and the VR project which will allow students to work in groups to create a virtual reality environment on a topic related to sustainability. The data on sustainability we collect will be integrated into the VR component.

 We have been looking at the strengths, weaknesses, and opportunities of sustainable practice in the Middle School. This is all leading into the pitch the students will be giving for their VR project. We will narrow this down so groups of students work on a specific topic on sustainability in which they will develop their VR environment. Topics will be green space, water, waste, recycling, energy and materials. We hope to amalgamate the VR scenes each group creates to make a single educational resource on sustainability at school. 

Students will undertake a brainstorming activity on how they would like their VR project to look. It may be that they produce a story and develop a more gamified interface with characters designed as markers in the VR scene, it may be an education tool, or produced as a systems pitch. After brainstorming, students will start data collection, setting up interviews and surveys for key school stakeholders. This will allow them to gather and visualise data which will eventually be integrated into their VR project. Finally, students will storyboard and plan the VR component of the project, using a similar process as would be undertaken if using other digital media such as video or animation.

Processes of reflection and iteration will be important as students’ progress through each unit in the project, both in groups and individually.”

Stay tuned for more updates from Pembroke School on their VR journey in 2022.

SEDA College VR project launch

SEDA College in Adelaide launched its VR project on 16 March 2022. SEDA is a senior school with a focus on academics and sport with practical connections to industry. Classrooms are located in local sport, recreation, and community facilities and industry settings. It has a ‘one teacher, one classroom’ model that allows teachers to take on a mentoring approach to education.

SEDA’s VR project is part of an integrated (project-based) unit of work that addresses the driving question: How can 360° virtual reality be used to enhance stakeholder experience in sport? The project launch day was attended by representatives from Football South Australia, and saw students and teachers undertake individual and collaborative learning activities that were sequenced to develop initial knowledge and confidence.

Adrian launch day croppedAdrian Stenta (left), teacher and co-researcher on the VR project, developed a sequence of activities for the launch. The activities were designed to get students thinking about the learning objectives, using the technology for audience engagement, and familiarising themselves with the VRTY platform through guided play. 

Adrian reflected on what it was like for a teacher who had never used VR before to take part in the research and what he hoped he and his students would get out of it:

 

We will keep you updated on Adrian and the student’s VR learning journey. Look out for more updates throughout 2022.

What the VR School Study is bringing you in 2022

During 2022, the VR School Study will be reporting on research conducted in collaboration with the Association of Independent Schools of South Australia (AISSA) and their member schools — SEDA College, Pembroke School and Trinity College — located in Adelaide. The research is also a partnership with 360° VR company VRTY. The research will focus on students as VR content creators in junior secondary school STEM with occasional forays into primary (elementary) school. We will be exploring pedagogical approaches to leveraging VR in STEM classrooms for Deeper Learning and creativity, sharing curriculum ideas, and showcasing the 360° VR content students create for authentic audiences with their unique perspectives on learning through the technology. We will report on progress through numbered project updates from each school which will use the same cover image so that they will be easily identifiable as part of set.  Look out for these as well as other posts that will pull together findings across schools. Let the VR School Study in 2022 begin!

Happy 5th birthday to the VR School Study

In late August 2021, the VR School study celebrated 5 years of ground-breaking research. Associate Professor Erica Southgate highlights three key findings from research so far:

Research papers and teaching resources are available on the VR School website under the Resources tab and there is a book for those who are interested:

Teachers reflect on 360° VR for language learning

This post reports on Athelstone School teachers’ views on using VRTY, a 360° content creation platform, for learning Italian with primary (elementary) school students. To catch-up on the research go here and here.

Language teachers Jo Romeo and Angelica Cardone provided extensive reflections in video and written form throughout the study. They noted that most students were engaged in the learning task of creating their virtual tour of Italy and incorporate the mandated Italian directional language and greetings. Teachers were particularly pleased to see less technologically confident students gain skills by collaborating with their peers either in pairs to create one virtual world or through peer-to-peer interaction more generally.

Teacher written reflections suggested that throughout the unit of work students were developing the Deeper Learning capacities of effective communication and problem solving through self-directed learning and an academic mindset featuring persistence when confronted with a range of difficulties:

“(The project) has enabled aspects of learning as they (students) have designed and created their own (virtual) worlds without too much teacher input. They have explored the platform on their own and used it to showcase their language and IT skills. Students did their own research on well-known landmarks as well as using their prior knowledge to include in their VR worlds. This has enabled them to learn factual historical information about different Italian landmarks and has also improved their vocabulary on directional language.… Students enjoyed recording their voices for the sound markers (that were embedded in the 360° scenes) and some students also researched how to pronounce particular words. They became independent workers as most of the time they problem solved on their own trying different strategies to see if they worked or didn’t. This displayed determination and commitment to successfully complete their (virtual worlds).”

Throughout the research, teachers learnt about the potential of immersive storytelling for language learning and students learnt about this too, guided by a mix of instructional strategies and creative processes. Instructional strategies included explicit teaching, scaffolding of student independent research and student production of different types of interactive media in Italian and English to be embedded in the scenes of their virtual Italian tour. After students had created several interconnected 360° scenes, teachers encouraged them to make audio files of themselves (sometimes with peers) orally using the directional language central to the curriculum. These voice recordings were then embedded in appropriate places in 360° scenes along with other media students had sourced or created such as photo and text information pop-ups providing historical or cultural facts related to the scene.

Students exhibited joy when experiencing their 360° creations through a VR headset, as the teachers explain:

“Most students reacted (to the immersive experience) with expressions such as ‘This is amazing’, ‘This is so cool!’. They were actually able to experience firsthand by being engaged in their virtual world. … (T)hey were able to interact more with the world they created using the headsets because for them it felt like they were in Italy and experiencing the tour around Italy rather than just seeing it on the screen.”

“The students were excited and eager to view their worlds in VR using the headsets. It was fantastic to see their enthusiasm and wonder at being able to view what they had created on a screen using the VRTY platform into what felt like ‘real life’.”

Longitudinal, deep teacher reflection is a key source of data for the VR School Study. Teacher reflections over time provide important insights in to growth in teacher professional learning, student learning and the success of different pedagogical strategies and curriculum planning approaches when using VR real classrooms.

Cover picture: Our last real-life team selfie before the Covid pandemic hit – Front: A/Prof Erica Southgate; Rear (Left to Right): Athelstone School language teachers Angelica Cardone and Jo Romeo, and Principal (and language teacher) Gyllian Godfrey. The study was funded through the South Australian Department for Education Innovative Language Program Grant.

An interview about the VR School Study

The VR School Study has featured in an interview published by the Independent Schools Association of NSW (AISNSW). The interview covers areas such as leveraging the learning affordances of VR to develop deeper understanding, problem-solving and creativity with students. You can read the interview here.

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