Students creating VR worlds for maths

Learning mathematics through creativity is a not an approach we often associate with junior high school classrooms. In this post, Jessica Simons, Math teacher and co-researcher on the VR School Study, explains how she went about designing curriculum that allowed her Year 9 extension mathematics class to use 360-degree virtual reality to demonstrate their depth of understanding of linear and non linear graphs.

Jessica developed a unit of work which scaffolded students towards growing their mathematical knowledge and applying this to the environment of their school. Students were asked to produce imaginative 360-degree virtual worlds that could be used to teach their peers about graphs. Working in small groups, students scouted locations around their school where graphs might be represented and then they planned and storyboarded their ideas to produce original immersive adventures in mathematics to share with others. The cover image for this blog post is of an initial brainstorm from one group on the VR task.

The unit of work can be found here.

The video below is of Jessica explaining how she developed the curriculum, bought a creative lens to mathematics teaching, and the value-add of VR to student learning.

This post bought to you by real live educators A/Prof Erica Southgate and Jessica Simons (Assistant Head of Mathematics, Trinity College, Adelaide).

Curriculum to empower student VR design on sustainability

This post provides an excellent example on how to design curriculum that integrates the use of 360-degree VR content creation for authentic research and problem-solving in the design and technology subject area. Ella Camporeale, teacher, and co-researcher on the VR School Study, discusses how she went about producing a unit of work for her Year 9 students that allowed them to use VR to create their own virtual world on the topic of sustainability at school.

The unit of work scaffolded students towards understanding the creative potential of VR and how it might be used to allow students to demonstrate deep understanding of digital design and content knowledge of sustainability based on research into the school’s sustainability practice. Students needed to investigate the issue of sustainability at school by engaging with key stakeholders to collect and represent data in their virtual worlds. They were required to produce a range of original content including 360-degree scenes of the school and different media (text, photos, video, gifs, sound files) to embed into the scenes that would tell a story about the broader issue of sustainability and their school’s approach to it. There was also the opportunity to integrate game mechanics to increase user engagement in the VR product.

The unit of work can be found here.

In the video below Ella Camporeale and Erica Southgate discuss curriculum design that integrates VR for deeper learning:

~This post bought to you by real humans, Associate Professor Erica Southgate and Ella Camporeale.

~The platform used in the project was VRTY.

~This research has been funded by the Association of Independent Schools of South Australia (AISSA).

~Cover image from Pexel by Polina Tankilevitch.

Designing curriculum for creative learning about Biomes with VR

Teacher Toni Maddock from Southern Montessori School (Adelaide) set about the task of designing an integrated unit of work (science and geography) on biomes and food security that would allow her middle school students to demonstrate both content mastery and develop communication and creativity skills by using 360-degree VR via the VRTY platform.

There are few available examples of how teachers go about designing curriculum to scaffold student VR content creation. Pedagogically, the unit of work involved a combination of direct instruction and collaborative and discovery-based learning activities. There was a staged approach, with students, in the first instance, being supplied with existing 360-degree scenes of biomes from around the world which they then needed to enhance by doing research on the biome and adding certain facts and media to their 360 scene. This was followed by the class skilling up with the 360 camera and moving to a more complex task involving research on, and an excursion to, a local biome. Informed by their research, students took their own 360-degree base scenes of the biome while on the excursion. They also conducted experiments to generate data to include in their 360-degree virtual biome world, and produced other media (such as text, sound files, photos and videos) on information relevant to the biome and local food security issues. Best of all, and a key feature of VR, students got the opportunity through a school expo to easily immerse their peers, family and community members, in the the educative virtual world they created, making the task genuinely authentic.

The unit of work can be found here.

Through careful curriculum planning, Toni provided rich, scaffolded tasks that leveraged the properties of VR to develop her students higher order thinking and provided them with a unique way express their scientific and geographic knowledge content mastery in a creative way. This was very different to how she would usually teach the topic of biomes. Toni talks a bit about the curriculum planning process in the video below:

This post bought to you by actual humans – Associate Professor Erica Southgate and Toni Maddock.

This project has been funded by the Association of Independent Schools of South Australia (AISSA).

Cover image of rainforest by Jahoo Closeau from Pexel.

The rights of the child, XR technology and schools

In March 2021, as the Covid-19 pandemic raged and school students in many countries were adapting to online learning, the United Nations (UN) released “General comment No. 25 on the children’s rights in relation to the digital environment”. Drawing on an extensive international consultation process with children and a raft of expert submissions, General comment 25 provides guidance on how children’s rights should be fostered and protected in digital environments. This post outlines some key areas in General comment 25 in order to pose some thoughts on how they relate to the use of XR (eXtended Reality including augmented and virtual reality) technology in schools.

Before outlining these key areas, it is worth historically situating General comment 25. It is part of a children’s rights-based lineage from the UN adopting the Declaration of the Rights of the Child (1959) to the Convention on the Rights of the Child (1989) which recognised the social, economic, cultural and civil roles of children and setting a minimum standards for protecting their rights. Below is a poster version which provides a snapshot of the principles that underpin the Convention of the Rights of the Child. Nation state signatories to the Convention can be found here

UN+rights+of+the+child+teen+edition+A4

To return to General comment 25, the document begins by using the four principles from the Convention to provide guidance on children’s digital rights. The principles and some of my thoughts on their implications for XR in schools are outlined below:

  1. NON-DISCRIMATION“The right to non-discrimination requires States parties ensure that all children have equal and effective access to the digital environment in ways that are meaningful to them. States parties should take all measures necessary to overcome digital exclusion.” (p. 2).

Implications: All schools, not just wealthy ones, should be able to provide their students with continuous, equitable and meaningful access to XR learning technologies including the infrastructure (connectivity, bandwidth etc) that powers the tech. Teachers should be provided with independent, evidence-based professional learning opportunities and ongoing pedagogical support to assist them to integrate XR in ways that are most effective for learning across subjects and in integrated units of work. Digital divides are born in policy (and funding) failures, no more so than in the field of school education.

  1. BEST INTERESTS OF THE CHILD“States parties should ensure that, in all actions regarding the provision, regulation, design, management and use of the digital environment, the best interests of every child is a primary consideration” (p. 2-3).

Implications: Most countries are at an early stage of regulation governing XR technology and the development of ethical standards informing its design is also nascent. In the meantime, there are some existing frameworks such as safety by design, privacy by design and guidelines on automated decision making that schools should utilise to guide procurement and implementation. I realise this feels like yet another thing to learn and do beyond the core business of schooling; however, until there is strong regulation and industry-wide accepted ethical standards in place, it is perhaps the only way most teachers in most countries will be able to uphold the digital rights of the child.

  1. RIGHT TO LIFE, SURVIVAL AND DEVELOPMENT “Opportunities provided by the digital environment play an increasingly crucial role in children’s development… States parties should identify and address the emerging risks that children face in diverse contexts, including by listening to their views on the nature of the particular risks that they face…. States parties should pay specific attention to the effects of technology in the earliest years of life, when brain plasticity is maximal and the social environment…. Training and advice on the appropriate use of digital devices should be given to parents, caregivers, educators and other relevant actors, taking into account the research on the effects of digital technologies on children’s development … ” (p. 3).

Implications: . Teachers use their knowledge of child development everyday in the classroom. This knowledge about child development needs to be extended to include the potential effects of XR technologies on children and adolescents. There is no other technology like XR technology – It can make the user’s brain and the body feel as though they are in a totally different place, imaginary or actual, with real and computer-generated actors interacting in real time, for better and for worse. There is evidence that children have developed false memories after a VR experience. There are also child protection issues related to the use of VR equipment in classrooms and open social VR platforms. The current evidence base on the immediate and longer term effects of immersive technology on children is inadequate as very few studies have been conducted and there is more work required on ensuring research with children using XR technology is ethical. Most manufacturers of VR headsets provide health and safety information and suggested age limits; however, like Terms of Service and company privacy policies, these are often not read or skimmed over. There is a great deal of work to be done by both government and industry in developing plain English and child-friendly policy related to technology risks including but not limited to privacy issues. In the digital sphere of education policy and in industry, there are either opaque or non-existent accountability mechanisms to query or contest data extraction and use, and third-party data interests, or to seek redress if something goes wrong. There is significant work to do if children and their parents/caregivers are to be given a voice and ways to effectively exercise rights in the digital learning space generally and with XR specifically.      

  1. RESPECT FOR THE VIEWS OF THE CHILD – “When developing legislation, policies, programmes, services and training on children’s rights in relation to the digital environment, States parties should involve all children, listen to their needs and give due weight to their views. They should ensure that digital service providers actively engage with children, applying appropriate safeguards, and give their views due consideration when developing products and services.” (p.3-4).

What are the views of children on the digital environment including XR technologies for leisure and learning? How do schooling systems and teachers amplify these voices for good transparent policy development and to inform classroom practice? How can schools engage in critical conversations with technology companies and ask the right ethical and educational questions about EdTech to seek evidence of effectiveness for learning and to advocate on behalf of children especially when so much of schooling has become platform dominated (often one-platform dominated)? Why is there a dearth of independent professional learning on digital technologies available to teachers?  It is fair to say that these are generally unanswered yet vital questions that deserve more than lip service from state education authorities and those in charge of schooling systems. The proliferation of digital literacy curricula is a good place to start classroom conversations. In case you are interested, here is a child friendly version of General comment 25 that can be used in class.

It is worth ending this whirlwind tour through some sections of General Comment 25 by highlighting section 42 of the document that specifically related to XR technologies:

“States parties should prohibit by law the profiling or targeting of children of any age for commercial purposes on the basis of a digital record of their actual or inferred characteristics, including group or collective data, targeting by association or affinity profiling. Practices that rely on neuromarketing, emotional analytics, immersive advertising and advertising in virtual and augmented reality environments to promote products, applications and services should also be prohibited from engagement directly or indirectly with children.” (pp.7-8).

There is a lot to unpack in this paragraph. Here are some key points to consider. The intersection between XR and artificial intelligence (AI) has hastened the harvesting of highly identifiable data from people’s bodies known as biometric data. This is harvested using the tracking and sensors built into XR hardware and software products and represents a significant privacy risk to users of the technology including children. Data can be (and is) being collected through the tracking of limb, head and finger movements, gaze patterns and pupil dilation as proxy measures for attention, facial expressions, speech and written communication, geolocation sensors, and information about the surrounding environment captured via pass-through camera technology in headsets. As boring as it seems, it is well worth reviewing the privacy policies of XR software and hardware companies. For example, check out Meta’s supplementary privacy policy, which also has a separate eye tracking policy embedded into it, to get a sense of the degree of biometric data harvesting and potential sharing of this with third parties.

The thing about biometric data is that is so personal that it can be used to identify individuals and settings. While the privacy implications of this for adults is serious, the implications for children and schools is even more concerning. In many countries and jurisdictions there is weak regulation around biometric data collection, storage, use and commercial currency for third party transactions (selling on bodily information)  despite its sensitivities. In addition, the use of that data, linked to other information collected via multiple platforms and online interactions, for surveilling, unfairly profiling, and manipulating or ‘nudging’ people’s emotional states and behaviour, covertly and overtly, raises serious ethical issues especially for vulnerable populations such as children. Hence, General Comment 25 specifically identifies virtual and augmented reality technology as representing a special class of risk to children. If you want to learn more about the ethics and implications of AI-powered biometric and affective computing applications for schools, check out the ethical framework for education contained in this report.    

Now is the time that teachers, educational policy makers, researchers and industry need to have serious conversations WITH children and their parent and caregivers about the digital rights of the child broadly and especially in relation to unique challenges emerging technologies that XR and AI bring. But conversations will not be enough. Consultation and engagement need to be accompanied by practical educational, accountability and regulatory initiatives if the digital right of the child are to be endorsed and celebrated in schools.

This post bought to you by A/Prof Erica Southgate.

Cover image by https://oscaw.com/art-camp-week-2-lets-make-eyes 

Pedagogical strategies for introducing 360° VR in class

Year 7 students at Trinity College are set the task of creating a vision of the school of the future using 360° VR as the medium of communication; these VR visions used to inform conversations in the school community from a student perspective. Before they begin the project, the class does an initial lesson to become familiar with the hardware and is guided through two brainstorming activities by teachers Jessica Simons and Steve Grant. These brainstorming activities are intended to get students thinking about safety in VR and have them identify engaging design feature of a 360° VR experience.

Students are asked to work in their small groups to use their desks which as whiteboards to write down a set of safety pointers for using VR. The teachers then guide a whole class discussion to come up with a set of safety guidelines that are synthesised by the teacher on a whiteboard. Here are some of the student’s safety ideas:

TRinity safety 2

Trinity safety 1

Trinity safety 4

This activity was followed by students experiencing a 360° tour using the headset and then having a whole class discussion about what made the tour engaging and what might have been improved. Here is a video except is from the whole group discussion on 360° design features guided by their teachers: 

These pedagogical strategies for first lessons with VR promote student agency and responsibility for safety and prime their imaginations and critical thinking skills through evaluation a user experience of the technology.

P.S. In case you want to put a face to the teachers in the video, Steve and Jessica are pictured below after the delivery of this lesson. To find out more about them go to the Team page of the VR School website.

Designing a 360° VR boating safety resource for children

Associate Professor Erica Southgate has partnered with 360° company VRTY and NSW Maritime, the government agency responsible for marine safety and regulation, to develop a unique learning resource on boating safety for primary school aged students.

NSW Maritime currently undertake education programs on boating safety in schools and are now investing in the development of this digital learning resource to complement face-to-face delivery and promote mobile learning opportunities for students.

The 360° learning resource will cover areas such as the importance of life jackets, essential safety equipment on boats, and on-water awareness. It will include a child-centred narrative and interactive and informative multi-media pop-ups. Some of these pop-ups will be ‘easter eggs’ or fun findable content embedded in the resource for discovery learning. The learning affordances or special properties of 360° media are well suited to a learning resource on boating safety as students can be virtually transported out to a waterway to get a real feeling of what it is like to travel in vessel while maintaining awareness of safety. They can learn and practice this awareness in the security of the classroom or home. The project includes a participatory component where children will provide feedback on the design of the resource.

So far, we have brainstormed and storyboarded the resource with NSW Maritime staff. And, we have just returned from capturing 360° footage as the video illustrates. Throughout the rest of 2022, we will keep you updated on our progress on 360° Boating Safety Resource. Stay tuned.

Southern Montessori School joins the VR School Study

Southern Montessori Middle School is excited to launch our VR project. Southern Montessori’s VR project is part of an integrated Humanities and Science unit based on the inquiry question: ‘How can we secure food for our future?’ Students will be using VR to create their own biome, identify problems arising from human impact, and find solutions to these problems. Students will be challenged to demonstrate their learning in a creative and engaging manner.

Southern Montessori Middle School is a mixed age year 7-9 community located in the southern suburbs of Adelaide with a strong focus on academics. We combine our thirty six Year 7, 8 and 9 students together and work in small, ability-based groups following the Australian Curriculum but presented with Montessori principles. We are committed to innovative approaches to learning that are not only relevant and engaging, but also prepare our students for their future.

Teachers Siobhan Curran and Toni Maddock have developed this unit of work and series of activities designed for students to not only think critically and creatively about the content, but also think creatively about how VR technology can be used as a tool to assist their learning. Having not used VR in the past, students and teachers alike are excited to take part in this research and to see what the students can achieve.

This post bought to you by teacher and co-researcher Toni Maddock

Against reductionism: VR for education

I recently received an intriguing inquiry asking if there was a standard for measuring the effective use of VR in education? What a thought-provoking question (and I thank my colleague for this because it really got me thinking). It got me thinking that now is the time to disrupt some common assumptions about VR (and XR – eXtended Reality) technology for learning so that we can genuinely work out how to best to use the tech in schools and other formal educational settings.

Reductivist assumptions – reducing the complexity of learning and of learning with VR – are sometimes evident in the field of VR for education. These assumptions will prevent us from understanding the many and varied issues related to designing educational VR applications and implementing these at scale in classrooms, virtual and real. Reductionist assumptions restrict our critical engagement and our ability to imagine possibilities for VR in classrooms. Reductionism is a hasty and lazy intellectual and practical position that seeks to simplify the multi-dimensionality of phenomena (things in the world such as this thing we call ‘learning’). While reductionist accounts of using VR for education can offer comforting and easily digestible ‘answers’ to difficult or intransigent issues, this approach will, overall, act as a roadblock for educators navigating towards use of the technology to realise its creative, cognitive, moral and social potential for humans.

Here are a five reductivist assumptions that need challenging:

Reductivist assumption 1: Learning is recalling facts and figures and VR should facilitate this.

Let’s not reduce the difficult and joyous processes of learning to just recalling facts and figures for a quiz. Sure, declarative knowledge acquisition (recalling facts, figures, data, information – the core stuff of content knowledge) is important. This is why remembering (or recall as educators say) is a foundational cognitive process of Blooms Revised Taxonomy (Figure 1) [1, 2].

Figure 1: Blooms Revised Taxonomy [1]

Blooms

Researchers often focus on the question of whether exposure to a VR experience can increase recall of declarative knowledge (facts and figures) especially compared to having the same content delivered via a different type of media or through a traditional instructional approach. This type of research is important as it provides a measure of content knowledge acquisition (usually in the short term, unless the researcher re-tests participants to see whether the knowledge has been retained). From a research perspective it is reasonably easy to give a pre and post quiz on facts and figures and compare the results (and perhaps even give learners other surveys that measure factors that might mediate declarative knowledge acquisition such as an individual’s self-efficacy, spatial awareness, motivation etc.).

However, we would be doing ourselves a disservice as educators and researchers if the only type of learning we cared about was recall of declarative knowledge. As Bloom’s Revised Taxonomy points out, we want to know if student understand the implications of what they can remember, can apply it to similar or novel situations (transfer), deploy that knowledge as part of critical analysis and evaluation, and use it as part of a process that creates completely novel perspectives and products.

We require more research on designing and using VR, and other XR tech such as augmented reality, to support learning that includes but moves well beyond the bottom layers of Bloom’s taxonomy. In practice this means examining VR products for their ‘baked in’ or implicit assumptions about what learning is – if applications only promote recall of declarative knowledge with some limited understanding, then that is fine, as long as we recognise this as only one (vital but limited) facet of learning.

We might also ask ourselves why we should make an investment in VR hardware and software if declarative knowledge recall is the only learning outcome from an app especially if this can be achieved through other more ubiquitous, cheaper technology and/or traditional classroom pedagogical practice?

Reductivist assumption 2: We just need a killer VR educational app and the pedagogical use case will follow.

Some technologists like to talk about killer apps (the one app to rule them all) and how it will create the ultimate “use case” (meaning the best way to pedagogically use VR even though they don’t use the word pedagogy). There are also educators who like to flip this and say, ‘pedagogy before technology’. Both positions are naive simplifications.

I’ve said it before, and I will continue saying it – Pedagogically, VR is not one thing.

As represented in Figure 3, we can think of VR as a new form of media that can empower learners through consumption of immersive experiences and some apps allow learners to create their own virtual objects and worlds to demonstrate learning. There are also VR apps that simulate total learning environments such as laboratories or clinical settings.

Figure 3. Conceptions of immersive VR for learning [3]

Conceptions of VR diagram Feature Image

VR applications can offer diverse types of learning experiences Consider the varying degree of active learning that students can have in different virtual environments (Table 1).

Table 1. Typology of VR environments by student learning interaction and autonomy [3].

Typology

We have a long way to go to theorise and explore the many different pedagogical uses for VR and which of these are most suitable for classrooms across age levels, subject areas, and for different types of learning objectives. I hope that there will be a smarm of killer apps that can create a buzz in the classroom and that these reflect beautiful, pedagogical diversity.

Equally, we need to be much more critical in interrogating the pedagogical assumptions that underpin conceptions of instruction and learning in VR apps. It’s no use saying ‘pedagogy before technology’ when VR applications (and other forms of Edtech) already have pedagogical assumptions baked in.

Reductivist assumption 3: VR is the curriculum

VR apps will never be the curriculum – they can never replace the complex and diverse ways that teachers interpret, enact and truly differentiate curriculum in their classrooms. Thinking that a killer VR app will arrive that will replace a teacher’s skillful mediation of curriculum to student diversity is a furphy. What teachers need are VR apps, with real classroom case studies attached to them, that can help them imagine possibilities and enhancements as they plan and implement their interpretation of curriculum for their students. We need to explore how teachers design curriculum that weaves VR apps through it to enhance specific types of learning.

The metaphor needs to be weaving into curriculum not replacing it.

Reductivist assumption 4: We need a standard way to assess learning with VR

Assessing learning with VR will be as varied as its pedagogical uses and the learning objectives that flow from these. Learning is not one thing. Blooms Revised Taxonomy provides a window into the multidimensional cognitive aspects of learning and being clear about the learning objectives when selecting applications is vital. As teachers ask yourself these questions:

Are we using a VR application to assist with declarative knowledge acquisition? Or, to allow learners to develop procedural knowledge and skills they can practice in a VR simulation? Do we want applications that provide opportunities for transfer of existing knowledge? Or select VR environments that can, in-situ, foster ‘soft skills’ such as communication, collaboration, and time-management? Does a VR app assist with developing affective or moral learning related to empathy or examining belief systems, for example? Are we looking to provide opportunities for learning that involve verbal and non-verbal communication with others for (inter)cultural understanding and exchange? Or, to provide a virtual forum that gives students an opportunity to meet experts who can share their wisdom in dialogue and action?  Do we want to use VR applications that can fire up the imagination to promote creativity and the exchange of creative processes and products? Or select VR environments that give students access to unique artistic, intellectual, cultural or sporting events?

Just as VR is pedagogically not one thing, its potential nexus with the varied types of learning and learning objectives creates a rich educational tapestry. For each of the types of learning listed above, the teacher would identify or develop assessment criteria with metrics and non-quantifiable means of determining if learning objective/s had been met, and the role of VR in this.

While commercial VR is a young technology in formal educational contexts such as schools, we have reached a point where we need to complicate our conception about learning with the tech including our approach to assessment, not simply it.

Reductivist assumption 5: Hardware choices are technical choices

Hardware choices are difficult. In schools we are talking about investment of precious resources with an evolving yet not established evidence base on pedagogical models and efficacy for learning with VR. Hardware choices are not however only technical choices. The hardware, platform and software that teachers choose will have ethical implications for their schools and classrooms.

This is a space filled with tensions and unknowns when legally and ethically it should be clear to educators, students and their families exactly what data is being collected, harvested in real-time and shared/sold-on by tech companies whose VR hardware, software and integrated platforms are being used in classrooms. Artificial intelligence can automatically harvest vast amounts of highly identifiable biometric data (information about individual bodies such as gaze patterns and pupil dilation, movement, proximity to virtual objects, voice etc). Is this data being collected, for what purposes and with what consent? Camera built into VR headsets can capture the real environment that students are in – what implications does this have for privacy?

Manufacturers of hardware usually put an age limit in their online safety advice, and it would be wise for teachers to check this too before procurement. Educators should also be aware that social VR, while opening the world up to learners also has child protection issues.

Many countries have weak regulation regarding data harvesting and the selling-on of such sensitive data including biometrics, which is usually gathered without us knowing. It is up to teachers to think ahead on these types of ethical issues and make fully informed, justifiable procurement decisions. I know this is a difficult job and puts educators in a quandary, but technical choices in this field are also ethical choices.

FYI – The Voices of VR podcast frequently covers privacy in XR – https://voicesofvr.com/

This post is bought to you by A/Prof Erica Southgate.

References

[1] Vanderbilt University (n.d). Blooms Taxonomy Diagram. Retrieved https://cft.vanderbilt.edu/guides-sub-pages/blooms-taxonomy/

[2] Krathwohl, D. R. (2002). A revision of Bloom’s taxonomy: An overview. Theory into practice41(4), 212-218.

[3] Southgate, E. (2020). Virtual reality in curriculum and pedagogy: Evidence from secondary classrooms. Routledge.

Cover photo by Rodion Kutsaiev: https://www.pexels.com/photo/white-and-brown-round-frame-7911758/

Developing curriculum for 360° VR

This update is from Pembroke School in Adelaide. Ella Camporeale, Assistant Head of Design and Technology and teacher on the VR study, explains how she has developed a unit of work which integrates student 360° VR content creation for her Year 9 Digital Design class:

Ella pic blurred background“I have developed a Semester-long course for my Year 9 Digital Design class using VR as a form of new media for students to demonstrate knowledge about sustainability and to educate others in the school community about this. The learning outcomes from the Australian Curriculum are aligned with the Technologies Learning Area, Year 9 and 10 band. Specifically, the outcomes relate to developing mastery of digital technology, design thinking and digital solutions.

I am dividing the units of work into three topics. We are looking at sustainability more broadly, data on sustainability in the Middle School and the VR project which will allow students to work in groups to create a virtual reality environment on a topic related to sustainability. The data on sustainability we collect will be integrated into the VR component.

 We have been looking at the strengths, weaknesses, and opportunities of sustainable practice in the Middle School. This is all leading into the pitch the students will be giving for their VR project. We will narrow this down so groups of students work on a specific topic on sustainability in which they will develop their VR environment. Topics will be green space, water, waste, recycling, energy and materials. We hope to amalgamate the VR scenes each group creates to make a single educational resource on sustainability at school. 

Students will undertake a brainstorming activity on how they would like their VR project to look. It may be that they produce a story and develop a more gamified interface with characters designed as markers in the VR scene, it may be an education tool, or produced as a systems pitch. After brainstorming, students will start data collection, setting up interviews and surveys for key school stakeholders. This will allow them to gather and visualise data which will eventually be integrated into their VR project. Finally, students will storyboard and plan the VR component of the project, using a similar process as would be undertaken if using other digital media such as video or animation.

Processes of reflection and iteration will be important as students’ progress through each unit in the project, both in groups and individually.”

Stay tuned for more updates from Pembroke School on their VR journey in 2022.

SEDA College VR project launch

SEDA College in Adelaide launched its VR project on 16 March 2022. SEDA is a senior school with a focus on academics and sport with practical connections to industry. Classrooms are located in local sport, recreation, and community facilities and industry settings. It has a ‘one teacher, one classroom’ model that allows teachers to take on a mentoring approach to education.

SEDA’s VR project is part of an integrated (project-based) unit of work that addresses the driving question: How can 360° virtual reality be used to enhance stakeholder experience in sport? The project launch day was attended by representatives from Football South Australia, and saw students and teachers undertake individual and collaborative learning activities that were sequenced to develop initial knowledge and confidence.

Adrian launch day croppedAdrian Stenta (left), teacher and co-researcher on the VR project, developed a sequence of activities for the launch. The activities were designed to get students thinking about the learning objectives, using the technology for audience engagement, and familiarising themselves with the VRTY platform through guided play. 

Adrian reflected on what it was like for a teacher who had never used VR before to take part in the research and what he hoped he and his students would get out of it:

 

We will keep you updated on Adrian and the student’s VR learning journey. Look out for more updates throughout 2022.

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